Well we went to the bull fights at Plaza de Toros at Las
Vetnas. I enjoyed it a lot more than I thought I would. We had pretty good
seats too! Far enough away from the action that I didn’t get too grossed out by
the blood but close enough that we didn’t need binoculars to see. There were
three toreros or matadors; Miguel Hernández “Miguelín”, 23 years old,
Raúl Rivera, 20 years old and, Alberto Escobar, 24 years old. I was surprised at
how young they were! Although I guess it makes sense because the older you get
the slower you become and when you have a bull charging you, you want to be
pretty quick on your feet!
When we got there we wished we would’ve looked up the rules
beforehand but we were able to figure out some of them. Two of the bulls were
allowed to live but the rest were killed in the fight. A couple of the matadors
were gored! One was hit in the face, it looked like it was just a graze across
the cheek and he was able to finish the fight. The second matador looked as if
he was gored directly in the armpit or just under it. He fell back onto the
ground and his banderilleros rushed
to help him up. He took a bit of breather and then finished the fight. As he
walked out of the ring to the infirmary everyone in the crowd stood and waved
white handkerchiefs to honor him.
A special type of surgeon has resulted from bullfighting to
treat cornadas, or horn-wounds. A
bull ring normally has an infirmary with an operating room and a chapel with a
priest.
Spanish bullfighting is called corrida de toros (running of the bulls). A traditional bullfight has three matadors
and each matador fights two bulls. The bulls are at least four years old and
weigh up to 1,300 pounds with a minimum weight of 1,000 pounds. There are three
tercios, or stages, to a bull fight.
Each tercio is announced by the sound
of a trumpet.
The participants first enter the arena in a paseíllo (parade) to salute the
presiding dignitary. The paseíllo is
steeped in tradition. For example, the oldest matador enters on the left with
the youngest in the middle. If it is the matador’s first time in that
particular arena he will do the paseíllo
without his hat.
A torero has a cuadrilla or a team of bullfighters:
Picador: This is
the person who challenges the bull from a horse. He has a big lance with a very
big blunt spear head on the tip. The bull has to be in a certain area of the
arena before the picador can
challenge the bull. The picador has three main functions: one to pierce the
muscle on the back of the bull’s neck in order to straighten the bull’s charge,
two to fatigue the bull’s neck muscles and stamina as it tries to lift the
horse with its head and, three to lower the bull’s head in preparation for the
next stage. The banderilleros help to
corral the bull into the area. The picador is allowed to spear the bull
twice. A matador can request one less spear or an additional one if the bull is
extra feisty. Before 1928 horses did not wear protection which sometimes
resulted in the horse being disemboweled. Now the horse is covered with a peto, a mattress-like protection. The
horse also wears a blindfold so it doesn’t get spooked by the charging bull.
Originally the picador
was the main attraction, not the matador. People would come to see the picador’s skill in protecting the horse
while fighting off the bull with the lance. The matador was there to help the picador. However, once the matadors
started to get fancy with the footwork, they became the main attraction.
Banderillos: These
guys are the flagmen. They assist in corralling the bull into the correct area
for the picador and they help get the
bull riled up at the beginning of the fight. The banderillos also help test the ferocity of the bull by getting it
to charge the capote.
Espadas: This
person is a ‘sword-servant’. They give the matador the swords when he needs
them.
The three stages to the fight:
Stage 1: Tercio de
Varas (lances third) This stage gives the matador a chance to observe the
bull’s behavior as it charges at the caps of the banderillos. The torero
will look for any signs of weakness such as vision problems or unusual head
movements. The initial attack by the matador is called suerte de capote (act of the cape). Following this, the picador will come out and draw the first
blood. This loss of blood weakens the bull. The bull also becomes tired from
trying to lift the horse that the picador
is on. During this stage the neck becomes weakened and the bull will hold its
head and horns lower for the rest of the fight making it less dangerous for the
matador.
Stage 2: Tercio de
Banderillos (Banderillos third) In this stage the banderillos attempt to stick two barbed sticks in the bull’s
shoulders. These barbs further weaken the neck and shoulder muscles through
loss of blood while also causing the bull to frequently charge the person
sticking him. The matador then enters with his cape and sword to further tire
the bull by enticing him to charge the cape.
Stage 3: Tercio de
Muerte (death third) In this stage the matador is alone in the ring with the
bull holding a muleta (small red
cape) and a sword. The matador uses the muleta
to attract the bull in a series of passes which demonstrates his control over
the bull and risks his life by getting very close to it. The faena (job) is the entire performance
with the muleta. The faena consists of a series of passes
which ends with the matador attempting to move the bull into position in order
to stab the bull between the shoulder blades and through the aorta or heart.
The act of thrusting the sword into the bull is called an estocada. A clumsy estocada
will result in jeering and booing from the crowd. If the estocada is not successful the matador will perform a descabello which cuts the bull’s spinal
cord. The matador must kill the bull within 15 minutes. If he can’t do it, the
bull is either returned to its pen or if local law requires, it is killed
outside the ring. Regardless, it is a huge dishonor to the matador to fail in
killing the bull.
A bull is allowed to live when the crowd believes it put up
a good fight and is brave. The crowd will demand an idulto and wave white handkerchiefs before the escotada happens. The presidente will decide if the bull can
live or not. If a bull is allowed to live it is retired from bull fighting and
is raised as a stud. Matadors depend on the fact that a bull has never
experienced something like a fight before. If a bull was allowed to re-enter
the ring it would’ve learned from the past experience and it would be harder
for the matador to defeat the bull.
A trofeo (trophy)
is awarded when a matador has a successful faena.
If at least half the spectators petition the presidente by waving white handkercheifs, the prestidente is obligated to award the torero one ear from the bull.
The crowd and toreros
have great respect for the bull. The braver a bull is, the greater the honor is
for the torero to fight the bull.
Bullfighting is considered a form of art. Ernest Hemingway wrote in his book, Death in the Afternoon, ‘Bullfighting is
the only art in which the artist is in danger of death and in which the degree
of brilliance in the performance is left to the fighter’s honour.”
Las Ventas:
A statue to honor the toreros.
On the back side of the statue is says: "Murio un torero y nacio un angel." - Antonio D. Olano (Die a matador, born an angel.)
The arena:
If the King comes to watch or other very important dignitary figures this is where they sit.
The beginning of the paseíllo.
One of the banderillos:
The picador:
He lost his capote!
One of the three toreros:
Notice the blood on the front of his outfit? That is how close he gets to bull!
They use mules to take out the dead bull.
This bull ended up knocking over the horse!
This torero was close enough to touch the bull!
I don'think I would ever turn my back on an angry bull who has been charging at me!
These signs were brought out before each bull fight. The bull's name is Afriquero. He was born in November 2008 and weighs 502 kg (1,106 lbs). Each bull is assigned a number. This bull is number 7. The number does not reflect the order in which they fight. I think la ganadería (animal husbandry) assigns the numbers. A. Moreno is la ganadería.
This bull got to live. They send the other ones out to help get it calmed down and then the fighting bull follows them back in.
The torero all on his own.
This is the torero that got gored in the armpit area.
Wow. Kristin, I give you props for going. Honestly, I don't think I could have sat through cruelty like that! :/ Seriously, people and bulls getting hurt/dying for entertainment?! No thanks. But good for you guys for experiencing it! It is truly a massive part of Spanish culture!
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